Shorten your skirt from the waist--Tutorial

In this tutorial I will show you how to alter a skirt from the waistband.  A lot of times with a printed skirt, it is difficult to alter because you don't want to lose the detail from the hem.  In this case I really liked the dark boarder at the bottom of the skirt, and didn't want to lose that integrity by hemming it.  The only option is to shorten from the waistband.  This is a moderate to advanced sewing alteration. I will show you how to shorten and reset the waistband, and invisible zipper.  

Here is the before and after.

First you need to decide your desired skirt length.  This photo above left is

the skirt before alterations.  I am about 5'9'' and this skirt was still hitting at the middle of my knee.  I wear my skirts above the knee, midi, and maxi.  I never wear them at the middle of my knee...Not a flattering look for me.  My desired skirt length is 18" down from my natural waist. (a few inches above my knee)

;l

First I measure the skirt length. It was 23 1/4" (including the WB)

Taking in the waist--Women's Doncaster Pant

When taking in the waist on a women's pant you need to mark accordingly.  With this client, she really only needed to nip in the waist about an inch.   I use an "X" to mark where she fills out the seat of the pant, knowing I should not extend my line down any further than that point.

I thought this pant would be a good example for a waist alteration for women's wear, because it has a typical double top stitch on the waistband.  Also has some difficulty, where you need to "stitch in the ditch" and a belt loop with no visible top stitch.   I will show you how to do all of these things and make the garment look like you never touched it!

First take a look at the inside of the waistband on the inside and outside.   Notice how it looks, what the stitch length is, and other additional details like how the belt loops are sewn on and also the tag on the inside of the waist band.  

First, carefully remove the tag and we will add it back at the very end.  

Next, carefully remove the belt loop, being sure not to rip it in any way! Rip threads not fabric!

Now its time to take apart the waistband.  Open the top and where the waist band connects to the CB of the pant.  Open up an additional 3/4" outside the markings to give yourself something to work with when you are turning it inside out.  

It should look like this.

First you need to take in the seat, gradually tapering up to the waist.  The horizontal chalk mark represents where my "X" was o the outside of the garment. Your line when doing this should be as straight as possible, starting in the original stitch line a few inches south of your "X", and then tapering up into your designated measurement at the waist.  Mine was 1/2" on the double, being 1" total.

Sew that.  Remove the old stitch line. 

Then trim your seam allowance.   A lot of beginners tend to not trim the proper seam allowance, because they are afraid of making a mistake and want to leave extra fabric to be there later on.  Measure twice cut once.  That's a good motto.  If you don't trim your seam allowance to match the original your work will not look very professional.  The only exception to this rule I use is if my client tends to go up and down in weight.  If you know this personal well and they tend to need a pant taken in then let out a few months later....leave that extra fabric in there.

Serge your seam allowance in the same color thread that was originally used.   This will make your work look very professional.  If the pant had a bias tape on the seam allowance, put that back.  

  Press the seam allowance open and flat.

Time to take in the waist.  Make your markings to match at the CB seam. 

From the inside of the pant, completely separate the inside waistband piece.  This will make everything a lot easier, trust me.   

Take in the outside WB piece on your markings.  

Remove the old stitch line, and trim your seam allowance.

Press the seam allowance flat and open.

View the WB from the outside of the pant.  The CB seam of the pant and the CB seam of the WB should match! If they don't correct that.  

Now match up the CB of the WB and CB of the pant and sew in the old stitch line.  I do not normally pin this, but wanted to show you that both of those pieces seam allowance's need to match, don't let one go to the left or right, or there will be unwanted bulk in the WB.

Sew exactly in the stitch line.  Be careful not to sew in the top stitching line, because that is very close to the stitch line and can often be confusing.  

The waist should look like this, and have no top stitching yet.

Press the seam allowance "up" into the waistband section.  It should follow whichever direction it originally went.  I've seen some cases where it was pressed down.  Just pay attention to how the garment was originally sewn and follow that.

Now sew the inside WB piece. I like to match the CB to the free piece, make my mark and do the same again the the other side.

Turn the WB inside out.  Match your right and left marks right sides together, make your mark.

Sew that and cut your new seam allowance.

Press the seam allowance open and flat.

The top of WB now looks like this. The CB seam lines should match and its time to connect them.

Start by removing the top stitching back another inch or so.  This will ensure you are able to sew in the seam line properly, and not get caught up in the top stitching.  

The top stitching removed back a bit.

Sew the WB inner and outer piece together in the same stitch line.

It should look like this.

I like to stitch the top row of top stitching before I stitch in the ditch.  This is a preference thing, the order of operations is up to you.  Make sure your stitch length is identical to the one the manufacturer used.  I will use a piece of scrap fabric and test my length before I sew to ensure it is the same.  

Your top stitching should follow the exact line it was in before.  When a sewer goes over or under that line it is noticeable even after pressing, so make sure you are exactly in your line. Otherwise the garment will look like it was altered before.

Now stitch in the ditch.  For anyone who doesn't know what that means it simply means sew as close to the seam where the WB connects to the pant.  I used the head of my seam ripper to try to show you exactly where this is.  Your stitch line should be practically invisible. 

Now sew your top stitching line at the bottom of the WB. Also Sew the belt loop as marked in white chalk where it was originally.

It should look like this.  I didn't photograph how I sewed the top of the belt loop.  Each one is different, so look at how they sewed it and do the same.  

The WB should look like this.  

Finish by sewing the tag back in the same way they did.  

And you are done my friends!   

This is a very common alteration, and each pair of pants can vary.  Just remember to keep in mind what the garment originally looked like and do your best to make it look that way again!

Happy Sewing dolls!

xoxo

Gown Alteration Tutorial--Not for the faint of heart sewer!

Gown alterations take time--knowledge, and a LOT of patience!  So if you are a beginner sewer, you may want to skip this tutorial.  It is a bit challenging.

Knowledge of gown construction and its many integral layers is part of what makes it complex.  In this case the underlining looked awful on the wearer.  I did not photograph it on her, but looked very stiff and was actually cutting into her skin a bit even though the gown was big on her!   Once I had the gown opened up I quickly realized why--the manufacturer used an underlining on both the exterior and interior layers.  Two underlinings---of horrible quality stiff fabric.  I will show you how I removed one of them to find a much better result. 

You may be asking what is Underlining?  I found a great definition on Craftsy--

"What is underlining?

Underlining serves many functions in a garment, but most generally it supports the fashion fabric and improves the overall look of a garment. It adds body to the fabric in a subtle but luxurious way, enhancing the fabric’s drape. Underlining helps stabilize loosely woven fabrics and can strengthen delicate fabrics. It is also a great and easy way to reduce the transparency of sheer fabrics. Garments that are underlined will wear better, last longer and wrinkle less as the supporting nature of the underlining protects the outer fashion fabric from excessive wear and tear.

Underlining is not the same as lining or interfacing. In fact, they are quite different. Interfacing is used to add stability and structure to select parts of a garment while lining is nothing more than a way to conceal the underbelly of a garment that hangs separate from it."

That may be nerding out a bit in the sewing technical terms for you--but its important to understand.   This garments exterior fashion fabric is a poly chiffon.  Very lightweight, and needed stability--But the use of two unerlinings was causing the garment harm and not doing anything for the softness of the garment.

First I will show you how I marked the gown.

I simply mark with a good invisible tailors chalk where my pins were. 

After I mark where my pins were its time to get inside the garment.

Knowing your way around a gown helps decide where to enter and exit a garment.  This gown has a dropped waist, and because of the underlining issue I had to detach from the waistline—That was my point of entry.   There are many ways to get in and out of a garment, sometimes the lining is attached to an exterior fashion fabric and you need to find the POE in the CB lining seam.   This one was detached, so there were other options for me.   

This is where I noticed right away I had problems.  Two underlinings was causing the garment to be too stiff and because it wasn’t designed with a corset type mentality it was just all wrong. (poor design tisk tisk)   Here I show the underpinning attached to the chiffon which is additionally attached to a lining.  That is ONLY the exterior fashion fabric “layer”

On the right side is the "lining" layer

Left is the fashion fabric layer with its own underlining

Now I start on the fashion fabric layers, taking out that underlining.

I separate the underlining from the chiffon.  Here you can see the three layers. Chiffon, lining, underlining.   I am cutting out the “underlining” and only leaving it in the bustie section.  The underlining extended all the way to the dropped waist.  

 Because the underlining is sewn as “one” to the lining, I had to detach the princess seams to get it out properly.  Sometimes you can avoid this by simply cutting out the underlining as close to the seam as possible…but in this case this underlining was of such poor quality and so stiff I wanted to make sure it was just completely taken out.

Here is the detached underlining I'm holding.

Now that its detached I sew the lining back                                  together.

-How it looks detached

A detailed look 

Now I begin to sew the lining together again

Here I reattach the seams, lining to lining, right sides together along the princess seams.   It’s also very important to remember to sew exactly where the previous lines were.  If you aren’t taking in the garment in that location of course.

This is how it should look after you have re-attached it.  Those seams of course need to be pressed flat and open, I will get to that later on.

Once I had it reconstructed, it was time to start on taking in the sides. 

View your markings and take a mental note

Detach at the side seams the fashion fabric layer and the lining layer.  I like to detach and extra 1"-3/4" to work with, you will see why later.

Here comes your mental note from before.  Measure both sides right and left.  When fitting a person you can't always get your pins perfectly even on both sides, and in this case I will split the difference between right and left.   It is also VERY important to remember who you are working for.  Sometimes a persons body is different on one side.   Sometimes, one breast is larger than another.  In that case do not split the difference and make sure your right differentiates from the left.  In this case my wearer was proportionate and needed 1 3/4" taken in at the underarm on both sides.   Remember to split this in half when you sew...that's 7/8" on the double. (Now do the same with the waist measurement, and hip measurment)

Once your garment is inside out draw your measurement accordingly.   

Then sew it!  Sometimes if my chalk hasn't been sharpened and leaves a line thicker than 1/8 inch I will sew on the inside of the line to ensure I'm not overcompensating for the density of my line.  Or you could just sharpen your chalk and not be lazy like me :)

This is where beginners panic.   You are coming to the top of you the armhole and guess what? there's a huge gap between the two layers--this is of course in ratio to how much you are taking it in and in this case it was a lot!  Do not fear my friends, continue on your way and you can change the slope of the line later.   Ohh and did I mention there's a chiffon strap that also has to be shortened, regathered and dropped all in this same pin point location?   Patience my friends!  

I'm holding the chiffon strap that needs to be dropped, regathered, and set into the lowest layer right below the seam allowance. 

detach about 2" down the two side seams, regather the chiffon and place it.

I have done all that and am holding it with my finger in its prime location.   I rarely use pins kids--Pros never do :) 

Finish your line all the way up

Quick reminder, trim your threads as you go along, its important and saves time later on!

Remove the old sewing line so the seam can be pressed flat and open.  I never use a seam ripper.  In alterations you need to learn how to use a razor blade. Seam rippers take far too much time and once you get skilled with a razor you will never go back.  Be careful though! Rip thread, not fabric.

Now you need to create the proper seam allowance and in doing that run a basting thread 5/8-3/4" away from your seam. 

Then trim behind your basting line.

It should look like this.

Turn the garment right side out to view your work.  You should see your chalk marks from where the pins were-only a faint hint of the line.  That way you know you haven't gone too far or not enough. 

Now its time to take in the lining layer.

Here is the underarm where you have the outside layer, inside layer and strap conversion.

 This section nearest us is what needs taken in.  Do the math, and mark your marks. Same concept as before.  Except with this layer you now have to face the boning issue.  Remove the boning completely along the seam.  We will re-attatch it later.

Markings, then sew  your seam.

Same rules apply, undo the old, recreate new seam allowance.

Now it time to attach the three layers at the armhole (one of those being the strap).  Problem is what we talked about before.  The jump between the two layers has grown significant since you've taken it in.  You need to create a new slope, as least dramatic as possible.

After you have this, trim that excess to 1/4" at the top.  I didn't photography this (whoopsies)  If you don't trim you will have pulling issues.  Sometimes I additionally notch the seam allowance to help with the curving slope.

Right side out it will look like this from the interior layer.   Now its time to stay stitch the facing.

Make sure you don't get any layers tucked up under there when doing this! 

It should look like this when you are complete.

Now you need to do the other side!   Ughhhhhhh the wooes of sewing!

Once the other side is done, I added bra cups (a tutorial for another day) and its time to finish.  

Don't forget to put your boning back!!

Because the curve at the bust has changed, (shortened technically) you will need to shorten it.  I push it out of the casing, trim and go about my business

.  Depends on the type of boning used.

Now it's time to finish up!   Close up the waistline, which was our POE and you are practically finished!!   I like to also add back the hanger straps by hand--this is a taste issue and can vary.  I like to do it this way because I know most people hate hanger straps and end up cutting them out at some point.  When you sew the hanger straps into a seam, its hard to trim them later on without it looking ridiculous and unprofessional.  That's why I like to do them this way.  Later on down the road if you decide to remove them, its as easy as pie!

Hope this tutorial helped you and at the very least inspired you to sew!   

Happy Sewing Dolls,

xoxo